A straight-on frontal shot of the House of the Cenote, in the ancient Maya ruins of Tulúm in Quintana Roo, Mexico:
No, it’s not the most artistic angle on this structure — but it does give you a good feeling for its size and design. This photo was shot from roughly the southeast — from the point of view of the sea, basically — and shows the face of the original part of the structure.
Some years later, a small shrine was added to the back of this building, directly over a small cenote that gives the whole construction its modern nickname.
The “marquis” structure at the ancient Maya ruins of Chichén Itzá, El Castillo (a.k.a. the Pyramid of Kukulkán):
What most tourist brochure photos don’t show you, though, are its two faces. The pyramid’s north and west sides have been fully restored (so, look as close to “new” as we can get), while the south and east sides have just been consolidated and stabilized (and so, look rougher). In the shot above, north is to the right — the pyramid’s north face is what you’ll most often see on postcards and such.
Along with all the amazing ruins, the ancient Maya site of Palenque also offers some really nice waterfalls not too far from the site center. Dubbed the “Queen’s Bath,” it’s actually a series of waterfalls with terraces. It can be a really amazing thing to see and photograph.
But can it ever change its appearance with the seasons.
Our most recent trip to Palenque was timed to fall just after the end of the wet season, in early December. Enough water was flowing in the Otolum creek to give the Queen’s Bath some life:
Note that this is a 1/13 second exposure, so you can see that you can get some nice blurring of the water without a tripod (note that you can’t use a tripod in the ruins without a permit requiring paperwork in advance, etc.). At least, an exposure like this will work if your camera or lens offers image stabilization.
For comparison’s sake, here’s a shot taken from nearly the same spot two years earlier (but at the end of the dry season, in mid-May):
With a bit of help from some HDR software (NIK HDR Efex Pro), here’s a scene of building storm clouds behind the Temple of the Seven Dolls at the ancient Maya ruins of Dzibilchaltún:
As I mentioned in a previous post, you can’t climb the steps of this structure any more. Still, there’s plenty of cleared and accessible space available around it — so it’s not too tough to make a good photo of it. Here, one of the structures called “Adjoining Rooms” blocks your view of the fencing around the Temple’s base.
I made this photo from just west of Structure 12 (which is also now fenced off). On spring and autumn equinoxes, the Sun rises in the temple’s door, directly in line with the stela that frames the left side of this image. As you might imagine, that means those dates are quite crowded ones at this (normally sparsely visited) site.
It’s the Temple of the Frescoes, in the ancient Maya ruins of Tulúm, Mexico:
Compare it to a photo from my previous visit, and you can see there’s been an unfortunate addition during the past few years— bracing in a couple of the doorways over on the photo’s left. Apparently, the structure’s developing some structural issues — hopefully they can be addressed without too much change to the building.
The star attraction at the ancient Maya ruins of Dzibilchaltún, Yucatan, Mexico:
The Temple of the Seven Dolls was named for some small clay figurines found in an offering under its floor. Sadly, a fence now keeps visitors from climbing its steps, much less looking inside the structure (likely due to vandalism seen at other well-visited sites).
Seen in the ancient Maya ruins of Calakmul, Mexico — five stelae at the foot of Structure II:
Calakmul has no shortage of the vertical monuments called stelae, 117 at last count (the most of any site in the region). Sadly, the local limestone is fairly soft, so most of them are eroded to the point where much of the once-rich detail has been lost to weathering. But they can still make strong elements of a photographic composition if you’re careful with the lighting you’re working with.